After much consideration, and with the safety of our delegates in mind,
Early Childhood Australia has made the difficult decision to make the 2021 National Conference fully virtual.
We are very excited to bring a virtual conference program
which will now feature the FULL CONFERENCE program of over 100 sessions on the 6 – 9 September 2021.
Young Citizens: the right to play, learn and be heard is the theme for Early Childhood Australia’s (ECA) National Conference, to be held virtually from Monday 6 September—Thursday 9 September 2021.
In 2021 we celebrate young children as citizens with rights. Throughout this conference we will explore how we respect and support those rights – particularly through play, play based pedagogy and child-informed practice. This builds on the QLD Branch’s leadership in the development of the 2014 Statement of Intent on Children’s Rights in Early Education and Care and over 60 years of celebrating ‘Under Eights Week’.
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The conference will provide you the opportunity to:
Children are citizens from birth with civil, cultural, linguistic, social and economic rights.
Learn MoreThere are many different perspectives on teaching and learning that we can draw on as educators and teachers.
Learn MoreCreativity and curiosity are two of the most important strengths children can develop to live resilient lives in a rapidly changing world.
Learn MoreWhat are the skills and knowledge needed for ethical leadership and how do we build the ethical leaders we need for the future?
Learn MoreQuality is dependent on workforce, professionalism, training and planning.
Learn MoreThe Early Childhood Australia (ECA) National Conference creates anticipation among those who work with young children, akin to the excitement their young charges experience in the run up to birthday parties. Early childhood educators, teachers, academics, leaders and other allied professionals from across Australia, and even further, come here to be inspired through shared ideas and experiences, in an environment conducive to collegiality and collaboration.
Delegates will be able to critically and constructively review their thoughts and actions, and also celebrate among peers the achievements attained and advancements made in improving the outcomes for children, their families and those who work with them every day.
During the 2021 ECA National Conference, and associated events, delegates will have various opportunities to meet with old and new acquaintances and to forge relationships with others in the sector.
Discount for ECA members
Early Childhood Australia members receive a discount to the conference. If you are interested in becoming a member, there are a variety of Early Childhood Australia membership categories to choose from.
Learn MoreBecome a sponsor
Sponsorship of the Early Childhood Conference is a great way to promote your organisation or business to the early childhood sector. ECA will ensure that your investment is worthwhile with many direct and indirect benefits.
Learn MoreRegistration!
Registration for the 2021 ECA National Conference is closed!
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Learn MoreWe would like to thank our sponsors—without your support the ECA National Conference would not be possible.
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© Wayne ‘Liwingu’ McGinness licensed by Aboriginal Artists Agency Ltd WAYNE ‘LIWINGU’ MCGINNESS, ABORIGINAL STEEL ART, WARU 1 (SEA TURTLE). Wayne ‘Liwingu’ McGinness was born in Atherton QLD where his mother is from. His grandmother was Maggie ‘Djairrami’ Anning and her people, the Ngadjon tribe (rainforest people), were located all over the Atherton Tablelands. Her husband, Gerald Anning, was a fisherman, master lumberjack and one of the Yidinji tribe. Wayne spent the majority of his life in the Northern Territory where his father’s family is from. The Kungarrakan Tribe (paperbark people) of the Finnis and Darwin River area. His grandfather Valentine Bynoe McGinness (a welder, wheelright and mechanic) was born on a mine claim near the Finniss River to a local Kungarakan woman (Alyandabu’Lucy’ McGinness) and an Irish rail worker (Stephen McGinness). His father’s biological mother was Emma Hodges, a Torres Strait woman. And, although Wayne never knew her, his looks and art seem to be a reflection of this mix.
Wayne’s style of sculpture is a result of creating contemporary Aboriginal art using steel, in both two and three dimensions. Many of Wayne’s designs represent the animals of his childhood and family and of his grandparent’s lands. However, he is always willing to design and create pieces depicting animals from other regions of Australia. The movement of the animals, reflected in his work, is what inspires him as he believes nothing is more natural. Wayne creates all his pieces from Australian 316 marine grade stainless steel, a beautiful steel alloy that is durable, clean and pleasing to the eye.